this video from the kills is my new favourite thing right now
this video from the kills is my new favourite thing right now
“42 minutes on an emotional treadmill” is how Chris Martin described the upcoming album Ghost Stories.
A really worth watching inteview that aired on BBC One recently.
1.) this New Order song/performance:
2.) These new Brooks’ trainers I am looking to buy
I am a firm fan of Brooks’ running shoes after being sidelined by a moderate case of Plantar Fascitus two months ago.
3.) Pulse by Adidas eau de toilette
I have been looking for a light smelling cologne to wear after the gym or during a stressful day, and this is easily a better choice than some of the more expensive items I have seen Sephora.
4.) Genius Scan for iphone
I travel a lot for work and consequently have to scan a lot of reciepts. This app lets you do that without having to hold on to all of them until you get back to the office.
5.) Capital in the Twentiy-First Century by Thomas Piketty
This new book has been blowing up on Amazon and has been getting a really good review by the people whose opinion I think matters. I am debating ordering it in print as well just to mark it all up and be able to share.
6.) up&up Facial Moisurizing with SPF 15
Until this miracle in a bottle, my facial complexion hovers betweeen either dried out cracked or greasy shine. I apply about a half squeeze after washing my face and then shaving and havent had a breakout in weeks.
7.) Gillette Regular Shaving Cream
Having spent a fair amount of money on different types of soaps/lotions/gels, the original is still the best, in my humble opinion.
8.) Chavs: Demonization of the Working Class by Owen Jones
Although this came out a while ago, I have just now gotten around to reading this great thinkpiece by Jones. My disagreements with Jones are manifold, but his writing pulls no punches and is a tour de force for the Labour movement.
9.) This interview with Chris Martin about Coldplay’s new album and breaking up with Gwyneth
Up to now, Martin has been notoriously cagey about his relationship with Paltrow, which of course is his right, but he has been remarkably candid lately.
10.) This new Coldplay single, of course
I’ve been on a deep dive of coldplay material from the last 15 years recently (see previous blog post).
I think part of it was the recent news of Gwyneth Paltrow and Chris Martin’s choice to divorce. It wasn’t that I was surprised, because honestly I think people had been calling time on that relationship for the better part of a decade. Emily Yoshida, writing for Grantland wrote an awesome piece on why the Pro and anti-Gwyneth crowd might be perplexed to say the least at her lifestyle. She also makes a great observation that if anything this seems to have created a fissure in the gleaming façade that was Paltrow’s image. Yoshida is refreshingly up front about the idiosyncrasy of spending time and words examining Paltrow.
While it’s probably a waste of energy to personally mourn the life tragedies of celebrities we’ve never met and probably never will, so is exalting in them, and the overall sentiment of most of the reactions I’ve seen have been “Hah! That’s what she gets for thinking she could have a perfect life!” If you actually believed Paltrow’s life was perfect, that’s kind of on you for taking every blog post and flowery Vogue profile literally (and not reading the tabloids!)
Admittedly, I subscribe to goop and agree with what Graydon Carter wrote in Vanity Fair when he chose not run the magazine’s piece on Paltrow: there isn’t a lot there that you don’t find in other comparable women’s magazines at the grocer. Instead, it strikes me that immense amount of privilege that Paltrow approaches her life comes across totally different to even upper middle class persons. But I also agree with Yoshida, that I never get the feeling that she is consciously making a case for how her life was *better* than yours or mine. Simply that there is a scale to her life that is far grander than the one most people live in.
While I was on this rehash of old Coldplay records, article and interviews I stumbled upon the realization that while Coldplay had been my all-consuming pop culture obsession when I was a teen and early 20’s person, I had taken a sojourn in different directions away from their music. It was such a fun experience revisiting all these songs and stories behind the music and reminding myself why I fell in love with their music initially.
It would be kind of crass to try and read the tea leaves of albums liner notes looking for strains and triumphs in Martin and Paltrow’s marriage. At the heart of it, I really don’t want to believe all the awful things that have been said about Martin, and I don’t think Gwyneth earns the amount of vitriol that is thrown at her.
What’s continually amazing to me about the whole affair is the fact that neither person has really slung a lot of mud publically and has spent a lot of money shooting down rumors and innuendo. And whichever one of them decided that that was how it should end deserves lot of credit.
As Yoshida mentioned earlier, it’s probably a waste of energy to bemoan the end of a relationship between two people I will likely never meet, and whose problems are wildly different than mine. But at the end of the day they are still two people, who were once in love and aren’t anymore. And there’s nothing wrong with taking a moment to remark on the unfortunate nature of that.
So back when I was probably 17-18 I started buying unauthorized biographies of the British band Coldplay.
Yes I am aware of how ridiculous that sounds. But as a young(er) man, I was fascinated by the four band mates from differing parts of the UK.
Absent interviewing them myself, I really wanted to try and understand where the songs came from, what the background of the music was etc etc.
Each of the three authors below approached their subjects from a different angle, and their own bias’ and prejudices shine through.
This is the weakest of the three biographies. Written around the time of the A Rush of Blood to the Head tour, Spivack claims his thesis is to discover, “what has made Coldplay the world’s most vital, urgent, and pivotal rock band in this new century”. If only Spivack had answered his own question. Instead, readers are treated to an un-engaging narrative that is only saved by the number of colourful and rare photos of the band backstage and in the studio that real fans would adore.
A much better written, if manic, book is Martin Roach’s 2003 work that mainly deals with how he views Coldplay redefined the British musical landscape. At a time when bands like Radiohead had shunned fame and listeners were being tortured to Linkin Park, Coldplay’s emergence was an unexpected revelation. If the band were a gospel, Roach views them as the proverbial Matthew; more concerned about lineage and expectations of fulfilling the ‘law’ of British rock and roll than the subjects themselves. To Roach, it was more important about what Coldplay represented than what they actually were. Likely the most intellectual of the three, Roach’s wandering narrative about the state of popular music is a good read in general, but falls short of delivering any insight into the band that had not been published to death anywhere else.
I love this book. Filled with little asides that provide great background into the history of songs on both Parachutes and A Rush of Blood to the Head, O’Brien gets to the heart about what makes Coldplay such an interesting band to follow. My personal favourite detail is how the band decided the brilliant track ‘Warning Sign’ should go on the album.
During their creative brainstorming sessions the other band members declared their enthusiasm for recording ‘Warning Sign’. Chris didn’t approve of the way this song had turned out. As far as Chris was concerned, it was old news, inspired by his breakup with Lily Sobhani. The others argued against him and ultimately prevailed. (p. 104)
Little stories littered throughout a book that focuses more on text than any exclusive behind-the-scene photos, O’Brien found a way to come to terms with a group that from the start valued its musical integrity over everything else, and won out in the end.
At risk of sounding uber-Minnesotan, this winter has crushed my soul in a broken little toy. It seems like the feeling of non-artificial warmth on skin will never return and we have somehow awoken in a dystopia Minnesota of yore where everyone is angry and sad always.
That said, I did do some fun/interesting-to-me things in the past couple of months.
Here we go:
Whats new with you, internet?
Good morning, interwebs.
This morning I have loaded a new theme, called, “tonal”, to give the blog a more stripped down feel. From now on, posts will cascade down the middle column with no more gadgetry on the left and right.
Let’s hope this works out.